Fireboy DML turns social media slander into a statement of identity, delivering an album that highlights his creativity, versatility and songwriting skills.
There is something clever about turning a slander into a statement. With ZUKO!, Fireboy DML has taken a name social media users gave him to mock him and turned it into an album title. Rather than reject the name, he has embraced it, showing his creativity and intentionality as an artiste.

The title also brings to mind Prince Zuko from Avatar: The Last Airbender, a character whose journey is about identity, struggle and self-discovery. Like Zuko, Fireboy seems determined to define himself on his own terms. The internet gave him the name, but he has given it a new meaning.
Released two years after his 2024 album Adedamola, ZUKO! reveals a more expressive and experimental side of Fireboy. From Laughter, Tears & Goosebumps to APOLLO, Playboy and Adedamola, he has consistently shown that he can evolve without losing his identity. This latest project continues that journey, exploring different sounds and moods while retaining the melodies and emotional depth that made fans fall in love with his music.
One thing that remains undeniable is that Fireboy’s pen game is still sick. His songwriting remains one of his biggest strengths, proving that he knows how to turn emotions into memorable lyrics and melodies. ZUKO! allows him to explore different sides of himself, from romance and vulnerability to confidence and experimentation.
My number one favourite song on the album is “GODDESS” featuring Lojay. The chemistry between both artistes feels natural, and their smooth vocals create a romantic record with plenty of replay value. It is a reminder of how special a collaboration can be when the vibes are right.
Another standout for me is “ONE MAN REGIMENT,” which showcases Fireboy’s confidence and willingness to experiment with different sounds. Meanwhile, “FIGHTING” highlights his vulnerable side, reminding us of his ability to express emotions through music.
One interesting thing about ZUKO! is its relatively small number of collaborations. Fireboy explained that he did not want to force collaborations or create music when the chemistry was not right. As he put it, “I don’t force vibes.” This approach gives him more room to express himself and allows the featured artistes to contribute where they fit naturally.
Overall, ZUKO! is a reminder that Fireboy still has plenty to offer. He has turned internet slander into an opportunity for creative expression while continuing to prove his versatility and songwriting ability. Rather than simply repeating what worked on his previous albums, he is exploring new possibilities while staying true to himself.
Fireboy’s ZUKO! proves he still has the fire in his belly, the bars in his mouth and the creativity to keep evolving. The name may have come from social media, but the statement is entirely his.

